Monday, 29 May 2017

Movie Money: Episode 18 (May 28, 2017)



Summer movie season continues this week, but not in a way that most might've expected. It wasn't a complete surprise. 'Pirates of the Caribbean' remains a box office contender, coming in at $62.6m, and $77m for the 4 day weekend. That's chump change compared to the film's international numbers, which came in at a staggering $208m, bringing its worldwide total to an already impressive $285m. Disney's good weekend continued with 'Guardians of the Galaxy Vol 2' taking the #2 spot for the second weekend in a row, and earning a respectable $25m.

Yes Captain Jack, as surprising as it is, your franchise is still profitable.
The good times seem to stop there, as newcomer 'Baywatch' struggled to even make half its $69m budget, coming in at $27m. The adaptation based on the television show of the same name just couldn't hold its own against the juggernauts of 'Pirates' and 'Guardians'. #4 on the top 5 this week, 'Alien Covenant' took a bit of a nosedive this week, earning $13m, bringing its domestic total to a comfortable $60m. That's less than its production budget, but the worldwide total of $160m means 'Alien Covenant' might be underperforming, but is still a success. It seems to have been released at the perfect time, right before the competition was too stiff.

For a movie that tried to please everyone, 'Baywatch' will likely go mostly unseen this summer.
Finally, we have the little movie that could 'Everything Everything'. A stellar marketing campaign with an intriguing trailer you could not get away from giving this movie the momentum it needed to double its budget this weekend, earning $7.3m and bringing its total gross to $22m, with a budget of $10m.

That's all for this week and if you'd like you can listen to our discussion on the weekend box office below:

Saturday, 27 May 2017

'Pirates of the Caribbean: Dead Men Tell No Tales' (2017) Review

Catch it on Cable: Not the worst 'Pirates' movie, but far from the best.
‘Pirates of the Caribbean: Dead Men Tell No Tales', the fifth release in the 'Pirates of the Caribbean' franchise finally sees the return of Captain Jack Sparrow. This time, Jack has found himself caught up with another adventure involving the literal demons of his past. The deadly Capitan Salazar has emerged from the mystical Devil's Triangle, hell-bent on getting his revenge on Jack. Jack's only hope is the legendary Poseidon's Trident, the key to warding off all curses of the sea.

That's a very simplified version of the story in Dead Men Tell No Tales, and one I would've much preferred to follow. The actual film is bloated, as it harbours more storylines than it can bear to stomach. The first half almost entirely consists of gathering the cast into one location so the plot can get underway. Previously, these films have excelled in having a large cast, with multiple stories, and still remaining focused. This is not the case here as this movie fails to find its momentum like a ship without wind in its sail. Then again, according to Captain Jack, wind isn't necessary as long as you have rum.

Note to self: Do not attempt to watch a Pirates of the Caribbean movie unless as drunk as Jack Sparrow.
As the movie struggles to get all the pieces together, there are a few scenes that evoke the very best of this series. One particular scene involving a guillotine is perhaps one of the cleverest moments these films have ever had. Bright spots like these keep the film from being a complete misfire and are a welcome distraction from the film's plot holes, and strange character behaviours.

The characters in question are the ones you've come to know an love, the ones you sort of recognize, and the new ones you don't care about. At least, that's how I felt, particularly with the last film. Here it's a little different since I cared a little bit more about the female lead in this film Carina Smyth, played by Kaya Scodelario. She embodied the strong female archetype that most franchise these days strive for, but come off as pandering and underserved. Not much else can be said for Brenton Thwaites character, as the most compelling thing about him is his heritage. The idea of him is much more interesting that what he actually is.

He's the Virtual Boy of characters. 
The latter half of the film is much more entertaining. Here the issues that previously plagued the film go by the wayside and the movie is consistently enjoyable until the credits roll. Still, this felt less like a reward for the first half's issues and more of an apology. I should also mention I liked the performance of Javier Bardem as the villain, although the visual effects put on his and his ghost crew, was less frightening and more laughable.

The hallmark cleverness and visual fortitude of the Pirates of the Caribbean films have not been present for quite some time but creep back in with this film. It is far from the best this series has to offer, but it is also far from the worst. Jack Sparrow, though, has never been quite so obnoxious, as his charm seems to have dissipated with age. Fans of these films should opt to see it at a Half Price. Everyone else is better off Catching it on Cable.

Rating: Catch It On Cable.


Monday, 22 May 2017

Movie Money: Episode 17 (May 22, 2017)


This week at the box office was a myriad of almosts. Three newcomers graced the silver screen this week as 'Diary of Wimpy Kid: The Long Haul', 'Everything, Everything' and of course, the big release this week, 'Alien Covenant'. Unfortunately, only two of those new releases would break through the top 5, as Wimpy Kid just missed the mark by performing a $26,000 less than 'King Arthur: Legend of the Sword', which continues to do miserable numbers, as its weekend gross of  $7.15m brought its worldwide total to a mere $94.5m. Like King Arthur, it's unlikely that Greg Heffley and the family will be back anytime soon, as their 3rd outing failed to meet even half of its $22 million budget, grossing a mere $7.12m on its opening weekend.

At least 'Everything, Everything' fared better, surpassing its budget of $10m, earning $12m. The romantic teen drama will no doubt garner a nice slice of the summer movie audiences, as it provides a less intense counter to the explosions and action of your typical blockbuster. Continuing to dominate not only the galaxy but also the box office, 'Guardians of the Galaxy Vol 2' has earned $300m domestically this weekend, and $732m worldwide, as their weekend take was $34.6m. It is well on its way to surpassing its predecessor, which finished its run with a worldwide total of $773.3m.

The 'Guardians' lost the battle to one Alien this week, as 'Alien Covenant' just squeezed by with a $36.6m weekend. The Ridley Scott's return to the Alien franchise underperformed this weekend, as it made nearly $20m less than its direct predecessor 'Prometheus'. Still, the sci-fi horror picture will no doubt bring home enough bacon for sequels to be made into oblivion, as the worldwide total currently stands at $117m, blasting past its $97m budget.

That's all for the box office this week. Next week sees the double whammy of 'Pirates of the Caribbean: On Stranger Tides', as well as 'Baywatch'. 'Pirates' has the franchise recognition to surely blast it to #1, but 'Baywatch' has Dwayne Johnson, which easily makes it a contender for Johnny Depp and his pirate antics.

For the audio discussion on the weekend box office, here's the episode this week:

Sunday, 21 May 2017

'Alien Covenant' Review (2017): The Best Alien Movie in Years

Half Price: The best Alien movie is years, works best when it's not trying to be an Alien movie. 
When 1979's Alien was first released, the world was introduced to one of the most iconic monsters in cinema history. Now, 38 years later, that same monster is being reintroduced to audiences with 'Alien Covenant'. Set 10 years after the last installment in the franchise 'Prometheus', 'Alien Covenant' tells a somewhat familiar story. Much like the original and its sequels, this movie follows a crew of space explorers searching the vast echoes of space. A journey filled with wonder and excitement, that inevitably takes a grim turn.

At least it comes with a smile! or two.
Despite following beats that have been seen before, 'Alien Covenant' feels fresh in today's cinema landscape. It never quite eclipses its predecessor, 'Alien', but it does evoke the same sense of dread. Scott shows his true strengths in this film, as he crafts one tense sequence after another. The best type of horror is presented here, one which frightens you but compels you not to look away, as you warm the very edge of your seat.

Aside from the thrills, 'Alien Covenant' is a film with remarkable pacing. It takes its time to build its story and never felt dull or wanting for action. Then again, that won't be the same for all viewers. Most of the first act is watching scientists document their discoveries, which is not the most entertaining of pictures. The looming threat of death is what most viewers come for, but a couple of scientists taking samples and making observations? That's what I'm there for.

The "science" part of sci-fi. 
If there's one thing 'Alien Covenant' did lack, it was an understanding of its characters. I couldn't tell you much about any of them. The crew is made up of groups of married couples, perfectly suited for a colonization mission. It's designed so that each death will have an equal and opposite emotional reaction, as spouses mourn their loved ones, but the movie has so many characters to contend with, it never really establishes them. It was painfully obvious which characters existed for the sole purpose of their gruesome deaths. Then again, if the caveat for shallow characters is a wildly entertaining death sequence, that's a bargain I can deal with.

That said, the characters are not just shallow, but also incredibly stupid. The most egregious sin of 2012's 'Prometheus' are its scenes involving "scientists" exercising as much restraint as a toddler in a mud puddle. 'Alien Covenant' takes that method and runs with it, giving audiences plenty of opportunities to yell "DON'T GO IN THERE". The trouble is, they're so stupid, and you know so little about their characters, that when they meet their untimely ends, it feels not only deserved but devoid of emotion. The saving grace is Katherine Waterston, who voices the frustrations of the audience, as her crewmates make stupid decision after stupid decision.

Starting to think the face hugger is an elaborate facepalm in response to human stupidity.
Character issues aside, the whole is greater than the sum of its parts here. Scott takes the same stunning visual prowess he showed in 'The Martian' and applies it to his own sector of deep space. There are moments when 'Alien Covenant' feels like the film Scott would've made all those years ago, had the technology or the budget been available. That's when 'Alien Covenant' truly shines. 

While it's true that 'Alien Covenant' is a captivating and thrilling film, and the best 'Alien' movie in years, its biggest strength is also its greatest weakness. Seeing the Alien in full form is a reminder why it has yet to be topped as the perfect movie monster, but the film's connection to the rest of the franchise bogs it down, distracting from the good movie that exists beneath it. Still, it's worth a trip to the cinema.

Rating: Half Price








Monday, 15 May 2017

'King Arthur: Legend of the Sword' (2017) Review: A Story Best Left Untold

Read A Book: Just skip this and go rewatch Guardians of the Galaxy.
Guy Ritchie seems to be a director who is his own worst enemy. His style no doubt marks him as one of the most distinctive directors alive, and his ability to frame dialogue like a well-crafted action sequence, is nothing short of mesmerizing. The 2009 'Sherlock Holmes' was taken as a sign that his filmmaking could be translated onto any property, however recently the English director has not been so fortunate. 'The Man from U.N.C.L.E' had all the telltale Ritchie quirks, but instead of an overall enjoyable picture, the film was decent with a few bright spots.

Sorry to say his latest picture is even worse than that, as 'King Arthur: Legend of the Sword' brings the summer movie season to a screeching halt. After the promising start of 'Guardians of the Galaxy Vol 2', this film serves as a harsh reminder of the worst a blockbuster can be. Director Guy Ritchie of 'Lock Stock and Two Smoking Barrels' fame is at the helm of this retelling of the classic story. It follows Charlie Hunnam as Arthur, as he grapples with the responsibility of wielding the mighty Excalibur, the sword he pulled from stone.

Thor Arthur must wield the mighty weapon Mjolnir Excalibur to rule over Asgard Camelot.
On the face of it, 'King Arthur: Legend of the Sword' should be easier to watch than it is. The film takes Guy Ritchie's frenetic style and captivating dialogue, and mixes it with the stunning visuals and atmosphere of 'Game of Thrones' or 'Lord of the Rings'. Rather than being a match made in heaven, the film is a mess. Never before has a film felt so chaotic. The over reliance on quick cuts and slow motion effects make following the movie's plot a downright chore.

If you do manage to follow along with the film's narrative, your reward will be a horrible truth. The truth that underneath the stylized filmmaking and slick presentation lies a film as generic as they come. Even the strong cast can't save this film. Hunnam's Arthur is easy enough to follow, but the trouble comes with the character of Vortigern, played by Jude Law. Law plays the role with as much subtlety as a sledgehammer. Then again, with the dialogue he's given to work with, not much else could've been expected.

But is it any fun? Plenty of movies have all the bad elements that make up King Arthur, but they're still enjoyable enough. Sadly, the movie takes so few risks that it ends up feeling sanitized. It doesn't have the air of weirdness that might propel it to being so bad it's good. It's just a bad film. Utterly boring in some moments, as you're fed the same hero's journey that gets blasted on the silver screen every year. With nothing new or original distinguishing this from any other sword and shield epic, you're better off watching the surreal and truly memorable 'Excalibur'. Yes, this movie is bested by one that is 36 years old.

Knights of the Round Table watching this movie.
For a film intended to be the first in a series of 6, 'King Arthur: Legend of the Sword' is an alarmingly bad start. If this is the rock which a franchise is to be built on, it shall indeed crumble. At times, Ritchie shows the signs of what could have been, with a handful of scenes showcasing his abilities at their best. When a movie is this bad, it's hard to recommend it. Viewers should skip this one and read a book instead.

Rating: Read A Book